A company of 12 actors will perform Daniel Keene’s The Serpent’s Teeth, a play in two acts that explores the ways in which ordinary people struggle on with their lives in the context of conflict and war.
Influenced by French pedagogue Philippe Gaulier, Kristine’s intracultural approach focuses on bringing one’s own personality to the stage. Her methodology particularly focused on utilizing the cultural context of the performer engaging with all the aspects of one’s personality and bringing that to the stage. This methodology empowers actors and theatre makers to utilise the potential of difference in performance.
A week long workshop, training and performance opportunity from Tamasha's co-founder.
Influenced by French pedagogue Philippe Gaulier, Kristine’s intracultural approach focuses on utilizing the cultural context of the performer engaging with all the aspects of one’s personality and bringing that to the stage. This tried and tested methodology empowers actors and theatre makers to work with difference rather from a starting point of neutrality. The practice has received acclaim for it’s ability to position the actor as an integral part of building a character.
Kristine Landon-Smith, (MPhil) co-founder Tamasha Theatre Company and currently working as director and educator in industry and the HE sector leads masterclasses for actors seeking to enhance their art form. Auditor places are also available. During each course, I work closely with each individual in the ensemble and apply my intracultural methodology to classic and contemporary texts.
Participants will work to explore my unique actor-centred model applying it to classic and contemporary texts .
Influenced by French pedagogue Philippe Gaulier, Kristine’s intracultural approach focuses on utilizing the cultural context of the performer engaging with all the aspects of one’s personality and bringing that to the stage. This tried and tested methodology empowers actors and theatre makers to work with difference rather from a starting point of neutrality. The practice has received acclaim for its ability to position the actor as an integral part of building a character.
The aim of the working group is to research, promote and disseminate contemporary Asian performance and diaspora studies to highlight the historical and contemporary scholarship in the area. We also aim to encourage critical debates on the contemporary artistic practices of Asia and a thorough re-evaluation of the current understanding of its conceptual and practical paradigms of the Asian performance scene and its diaspora in Britain.
Kristine Landon-Smith, (MPhil) co-founder Tamasha Theatre Company and currently working as director and educator in industry and the HE sector leads masterclasses for actors seeking to enhance their art form. Auditor places are also available. During each course, I work closely with each individual in the ensembleand apply my intracultural methodology to classic and contemporary texts.
